A remake (using the exact same camera positions) of an earlier film One Way Boogie Woogie, a series of 60 one-minute static shots of one-way streets from Milwaukee's south side.

Marking the centennial of Utah’s statehood, this experimental film examines the imposition of human design, both physical and conceptual, on nature.

James Benning’s experimental work has screened around the world, at festivals and other institutions, including the Vienna International Film Festival, the London Film Festival, Sundance, Rotterdam, the International Forum des Jungen Films, Berlin; Image Forum, Japan; the Los Angeles Museum of Art; the Museum of Modern Art, New York; the Walker Art Center; the Reina Sofia, Madrid; and the Whitney Museum of American Art. He is a recipient of a John Simon Guggenheim Memorial Foundation Fellowship. In addition to filmmaking, Benning is a professor at both the California Institute of the Arts and Bard College, and has taught at Northwestern University, the University of Wisconsin, the University of Oklahoma and the University of California-San Diego.

1975 MFA, University of Wisconsin, Madison, WI