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Playground ![]() An interactive installation that explores childrens natural movements and the structured choreography and social patterns they create when at play. Using motion-capture, artificial intelligence, and synthetic characters, the installation reacts in direct response to participants. Web Sites: Selected Works how long does the subject linger on the edge of the volume
(2005)
22 (2005) Arrival (2003-2004) Lifelike / Lifelike Portrait (2002-2003) Pedestrian (2002) Inkblot Projections (2002) Loops (2001-2004) Trace (2002) You Walk? (2000) Flicker-track / Verge (1999) BIPED (1999) Ghostcatching (1999) Hand-drawn Spaces (1998) Accomplishments Paul Kaiser, a Guggenheim Fellow, has taught at several universities and been an artist-in-residence around the country, showing work at Lincoln Center, MASS MoCA, the Pompidou Center, the Whitney Museum, the Barbican Centre, and many other venues. His early art (1975-81) was in experimental filmmaking and writing for recorded voice. He then spent ten years teaching students with severe learning disabilities, with whom he collaborated in making multimedia art. He and Shelley Eshkar have worked together for eleven years, and are known for their digital dance works with choreographers such as Bill T. Jones and Merce Cunningham. They recently co-founded (with digital artist Marc Downie) The OpenEnded Group.
Education 1984 M.Ed., American University
1978 BA, Wesleyan University Web Site News April, May, June 2008 Paul Kaiser
and Shelley Eshkar’s
installation Point A to
B was included in Impermanent
Markings,
a group show exhibited at the Pratt Manhattan Gallery in April.
Inspired by the urban athletics of parkour, digitally animated figures
jump through spaces where action, perception, and location are
continually overturned. January, February, March 2008
Paul Kaiser and Shelley Eshkar’s
installation Point A to B was
included in Impermanent
Markings, a group show exhibited
at the Pratt Manhattan Gallery through March and April. Inspired by the
urban athletics of parkour, digitally animated figures jump through
spaces where action, perception, and location are continually
overturned. December 2006 Paul Kaiser and Shelley Eshkars Biped, a collaboration with choreographer Merce Cunningham filmed by
Charles Atlas, will screen at The Film Society of Lincoln Center's Dance on Camera Festival in January.
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