Camille Utterback
2002 Fellow
Brooklyn, NY
Potent Objects (2003)
A series of interactive objects that explores our anxiety about machines that can feel — physical puns that respond to human contact and learn an “emotional” repertoire based on past interactions.
Web Sites:
Selected Works
Installation
External Measures (2001)
Come To Pieces (2001, co-creator)
See/Saw (2001)
ArcTangent (2001)
Drawing from Life (2001)
Liquid Time Series (1999-2001)
Visual Resolve (2000)
Composition (2000)
Text Rain (1999, co-creator)
Accomplishments
Adjunct Professor: Parsons School of Design, MFA in Design and Technology Program, 2002; New York University, Interactive Telecommunications Program, 1999-2001

Solo Exhibitions: MassMoCA, North Adams, MA, 2002; Caren Golden Fine Arts, New York, 2001; The Deans’ Gallery, M.I.T. Sloan School of Management, Cambridge, MA, 1996; Cornwall Gallery, Boston, 1993; Goodrich Gallery, Williamstown, MA, 1991

Group Exhibitions: Ars Electronica Center, Linz, Austria, 2000-2002; The Netherlands Media Art Institute, Amsterdam, 2000 and 2002; American Museum of Natural History, New York, 2001; Museum of Contemporary Art, Taipei, Taiwan, 2001; Center for Contemporary Art, Kiev, Ukraine, 2001; Seoul Metropolitan Museum of Art, 2000; NTT InterCommunication Center, Tokyo, 2000

Awards/Grants: Artist Residency, Grand Central Art Center, Santa Anna, CA, 2001; Interval Research Fellowship, New York University, 1999-2001; the OLB Media Art Prize, European Media Art Festival, Osnabruck, Germany, 2000
Education
1999 MPS, Interactive Telecommunications Program, New York University
1992 BA, Studio Art Major, Williams College, Williamstown, MA
Web Site
News
April, May, June 2008
Camille Utterback’s Untitled 5, an interactive video installation which challenges conventional artistic processes by adding time and interactivity to abstract painting, was included in Impermanent Markings, a group show exhibited at the Pratt Manhattan Gallery in April.
January, February, March 2008
Camille Utterback’s Untitled 5, an interactive video installation which challenges conventional artistic processes by adding time and interactivity to abstract painting, was included in Impermanent Markings, a group show exhibited at the Pratt Manhattan Gallery through March and April.
October, November, December 2007
Camille Utterback’s Abundance was commissioned by the Zero 1 new media festival, held in October, as a temporary public artwork created specifically for the San Jose City Hall Rotunda and Plaza. The artwork was dynamic, abstract animation projected directly onto the Rotunda, that changed in response to pedestrian movement in the Plaza.  Additionally, Utterback’s reactive sculptures Shaken and Balance were included in the “L'emoi de l'image” exhibit at Les Galeries Poirel in Nancy, France throughout October. Finally, Untitled 5, an interactive video installation which challenges conventional artistic processes by adding time and interactivity to abstract painting, was showcased during a festival in Copenhagen organized by the Danish curatorial group Maskinstorm. In conjunction with the festival, Camille lectured at a series of workshops.