Hanna Elias
2000 Fellow
Los Angeles, CA
Abu Hanna, Abu Latif: A Palestinian Road Diary
The filmmaker revisits his childhood home with his father to explore how the larger political and social context of being Palestinian might have affected the father/son relationship.
Selected Works
Film
Sesame Street: The Israeli-Palestinian Experience (1999)
Sharei Sumsum (1997-1998)
Youth and the Environment (1995)
The Mountain (1992)
The Roof (Al-Sateh) (1990)
Accomplishments
Director and writer of commissioned works, United Nations Development Program/Program of Assistance to the Palestinian People, 1998-1999

Co-Chairman: The Middle East Peace Network since 1998 and Southern California Chapter of the American Friends of Neve Shalom/Wahat Al-Salam, 1991-1998

Peace Ambassador Award, Rotary Club of Los Angeles, 1996
Education
1991 MFA, Film Production, University or California, Los Angeles
1981 BA, Sociology and Middle East Studies, Hebrew University, Jerusalem, Israel
Web Site
News
March - April 2005
Using 129 Palestinian actors, Hanna Elias has dubbed Richard Attenborough’s 1982 epic Gandhi into Arabic for screening in Palestinian communities.  Dubbed the Gandhi Project, the film premiered in April in Ramallah and screened in Jerusalem and Bethlehem, and is being actively promoted by actors Richard Gere and Ben Kingsley.  www.gandhiproject.org
2003 Year-End Update
Hanna Elias's The Olive Harvest, was awarded both Best Arab Film and the Special Jury Award at the Cairo Film Festival in Egypt in October. It also screened at the Jerusalem International Film Festival, the São Paulo Festival in Brazil and the American Film Institute Festival in Los Angeles. Set in the Palestinian countryside, the film explores a tightening web of emotional obligations to family, self and country and shows how even a Palestinian love story is inseparable from the struggle over the land.
Late Fall 2003
Hanna Elias's The Olive Harvest was awarded both Best Arab Film and the Special Jury Award at the Cairo Film Festival in Egypt and was a finalist at the São Paulo festival this fall. In November it screened in the American Film Institute Festival in Los Angeles. Set in the Palestinian countryside, the film explores a tightening web of emotional obligations to family, self and country and shows how even a Palestinian love story is inseparable from the struggle over the land. www.theoliveharvest.com