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Esta sección no se encuentra completamente traducida al español.

 Dai Sil Kim-Gibson
1998 Fellow–NY
New York, NY
Silence Broken: Korean Comfort Women (1999)
A documentary about Korean women (euphemistically referred to as "comfort women") forced into sexual slavery by Japanese soldiers during World War II.
Web Sites:
Selected Works
Cine
Silence Broken: Korean Comfort Women (1999)
A Forgotten People: The Sakhalin Koreans (1995)
Sa-I-Gu (1993)
America Becoming (1991)
Accomplishments
Filmmaker, since 1988
Director, Media Program, New York State Council on the Arts, 1985-1988
Senior Program Officer, National Endowment for the Humanities, 1978-1985
Assistant/Associate Professor of Religion, Mount Holyoke College, 1969-1978
Education
1969, Ph.D. Religion, Boston University, Boston, MA
Web Site
News
July, August, September 2007
Dai Sil Kim-Gibson’s documentary Motherland Korea Cuba USA was shown in the Asian American International Film Festival, in July. Feeling increasingly isolated in her adopted homeland of the United States, Kim-Gibson travels to Cuba to discover stories from a relatively unknown group in the Asian diaspora. There, she meets a woman of Korean descent who after the Revolution began identifying herself as Cuban, not Korean.
May - June 2005
Dai Sil Kim-Gibson's Wet Sand: Voices from L.A. Ten Years After was broadcast in May on WNET/Channel Thirteen in New York and on KQED TV9 in San Francisco. The documentary, a sequel to her 1993 documentary SA-I-GU, revisits the lives and communities that were irrevocably changed during the 1992 Los Angeles riots. www.twotigers.org
June - July 2004
Dai Sil Kim-Gibson's Wet Sand: Voices from L.A. Ten Years After had its New York premiere at the International Asian American Film Festival in July. The documentary, a sequel to her 1993 documentary SA-I-GU, revisits the lives and communities that were irrevocably changed during the 1992 Los Angeles riots.
Interview

How do you approach the beginning of a project?

I do not approach the beginning of a project. Usually a project descends upon me, claiming the attention of my body and soul. I am a documentary filmmaker who is compelled by topics that choke my chest and pound my heart.

Read full interview