Meena Nanji
1995, 2006 Fellow
Santa Monica, CA
View from a Grain of Sand - 2006 Fellowship
A feature documentary told through the eyes of three Afghan women — a doctor, a teacher and a women’s rights activist — that reveals how war, international interference and the rise of religious fundamentalism have stripped Afghan women of rights and freedom.
Web Sites:
A Net of Jewels - 1995 Fellowship
A reflection on “difference,” culled from the experiences of three successive generations of the filmmaker’s Gujarati family, who migrated across four continents in the 20th century.
Selected Works
Film
Living in Colour (2002)
Looking for Another Girl (1997, co-director)
It Is a Crime (1996)
Voices of the Morning (1992)
Note to a Stranger (1991)
The Secret Life of a Snow Queen (1990, co-director)
Children of Crisis (1990)
Accomplishments
Meena Nanji has produced and directed a number of short experimental and documentary works which generally focus on the global migrations of post-colonial peoples. Her work has been recognized by the Rockefeller Foundation, the National Endowment for the Arts, Paul Robeson Fund, Pacific Pioneer Fund and Women in Film Foundation, among others. Her award-winning videos have screened at film festivals and been broadcast worldwide. Nanji has curated and coordinated film festivals, served as a juror on grant-giving organizations, and has guest-lectured at universities and conferences around the world. She is also a freelance writer with articles appearing in the Los Angeles Times, UN Daily Journal and Xtra, among others.
Education
1993 MFA Film/Video, California Institute of the Arts, Valencia, California
1990 BA Film/Video, California Institute of the Arts, Valencia, California
1985 BA Political Science, University of California, Los Angeles
Web Site
News
July, August, September 2007
Meena Nanji’s View From a Grain of Sand was shown as part of the Global Peace Film Festival, in Orlando at the end of the summer. Told through the eyes of three Afghan women, this documentary shows how war, international interference and the rise of religious fundamentalists, has stripped Afghan women of rights and freedom.
October - November 2006

Meena Nanji’s View From a Grain of Sand screened in the Indo-American Arts Council Film Festival in New York in November. Told through the eyes of three Afghan women, this feature reveals how war, international interference and the rise of religious fundamentalism have stripped Afghan women of rights and freedom.

September 2006
Meena Nanji’s View From a Grain of Sand was included in the Spotlight on Documentaries section of the IFP Market in New York in September. Told through the eyes of three Afghan women, this feature reveals how war, international interference and the rise of religious fundamentalism have stripped Afghan women of rights and freedom.